The Prōcess was one of my first projects working with divised theatre, where as rehearsals progressed the director, Morgan Breon, built up the script with actor’s unique stories. As a lighting designer, my primary goal was to help tell the stories of the performers by sculpting a world in which they could work, for some, that meant creating an abstract space in which they could move and play, while for others, that meant creating a space that closely reflected the atmosphere of an actual, physical, place. As a sound designer, I worked closely with the director to use sound and music to push the overall play forwards, choosing tracks that related to the story the director wanted to tell in a way that added to the overall production.